A detailed spotting session to establish the desired sonic approach.

• Balancing of noise/ room tone between shots, ensuring smooth and natural transitions between clips of production sound • Noise reduction, removal of clicks, pops, clipping etc  • Balancing/ alignment of lav and boom mics, addressing phasing issues • Levelling to appropriate loudness for broadcast/ festival circuit specs • Identifying lines that may need replacing with an ALT or re-recording as ADR

• Spot FX, specific sound effects to enhance on-screen actions • Backgrounds/ Ambiences, establishing space with layered environmental soundscapes • Subtle textures, nuanced sound elements supporting mood, tension and depth • Naturalistic/ fantasy world building • Heightened stylised transitions, supporting pacing and visual rhythm

A complete foley pass, covering all footsteps, clothing movements and prop handling

Our partnership with Sound & Surround,(http://www.soundandsurround.com/) allows us to offer ADR recording in Central London as part of a full Audio Post Production package

• Receive a secure Frame.io (http://Frame.io)link with a binaural file rendered within The Dolby Atmos Renderer, giving you an immersive, spatial experience. An accurate representation of your 5.1 mix, at home on headphones • Easily switch between mix versions (no dialogue, no music etc) for a more targeted and efficient reviewing experience

• Balancing and bringing together of all the elements - dialogue, SFX and music - to create the final cohesive soundtrack in 5.1 and/ or stereo • Join a live final mix session via SessionLinkPro/ Audiomovers - synced to picture with real-time playback

Following the mix sign-off, you’ll receive multiple tailored mixes for specific playback formats. Ensuring your film sound is future proof, streaming friendly, broadcast compliant and cinema viewing ready. • 5.1 Nearfield TV Streaming Mix - intended for home viewing on streamers, with more controlled dynamics, compliant to Amazon Prime, Apple TV, Netflix etc • 5.1 Nearfield TV Broadcast Mix - similar to the above, but strictly compliant with EBU R 128 or ATSC A/85 broadcast specifications • Stereo Online Mix - a louder, more forward sounding stereo version optimised for screeners and festival submissions as well as YouTube etc • You will also receive all of the relevant mix splits (M&E, Dx etc)